Daniel Wojcik was a child when he first encountered the art of the untrained.

During trips, his family was always stopping at one roadside attraction or another. He was amazed by the famous Watts Towers of Los Angeles, made of rebar and concrete and reaching 90 feet into the air; Bottle Village, a collection of shrines and mosaic walkways in Southern California composed of landfill discards and found objects—25 years in the making—left him fascinated and wanting to learn more.

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